Friday ACL Fest 2018 Record Reviews: Brockhampton (Iridescence)

Story published in The Austin Chronicle. Online version here.

Iridescence trades the Southern trap palette of 2017 LP trilogy Saturation for a more abstract, yet expansive splatter of futurist techno-trap. Recorded over a 10-day span at Abbey Road Studios with a full choir and orchestra, the fourth album from the Texas collective erases the memory of departed MC Ameer Vann in 15 tracks. Opener "New Orleans" triumphantly announces a new sonic direction with its explosion of blown-out 808s and revving synths. Single "J'Ouvert" melds Lavaman's soca jam "Doh Blame Me" with buzzing kicks and distorted, 8-bit synths to unearth Joba's most ferocious verse to date. Meanwhile, the breathless symphony of "Weight" drowns frontman Kevin Abstract in doubt. Hooks sparse and structure loose, Iridescence redefines future pop. 

Album Review: Blues in The Nude by Zach Varner

Review published in The Austin Chronicle. Online version here.

Zack Varner is an experienced jazz saxophonist, but Blues in the Nude arrives as the Atlanta native's debut as composer and arranger. Varner expertly honors tradition with hard bop and swing themes while simultaneously exploring and building on the genre's evolution through tango, bossa nova, and samba-infused textures. A blues-rooted progression by the project's rhythm section jolts the opening title track before an effervescent sax solo introduces Varner. "Faux Tango #4" intros the album's Latin touch in Chick Corea meets Return to Forever fashion, while a yearning piano intro and poignant bass solo on "Russian Dog Dreams" retrieve the blues by plucking and pulling melancholy into a poetic whine. Standout "Stonehenge Throwdown" begins violently with a rhythm section wail that dissolves into creeping piano and watchful horns, which envelop you like waking up in a city ravaged by war the evening prior. The song's range speaks to that of the entire project, Varner's 15 years of experience rife with boundless invention and a desire to push modern jazz to new heights with grace, class, and ingenuity.

4/5